Distortion is Our Friend

Track Listings
1. Dance of the Whooping Llammas
2. Crush
3.
Cinnamon Girl
4. The Sun and the Sky
5. Hovercraft

6.
Diane and Edward the Giant
7. Lillian Gish/Leave Don't Go
8.
It's All Too Much
9. Goldmine (acoustic version recorded at 3 a.m. in los angeles during self titled sessions)
10. The Killing (recorded live on radio 3, good friday, in amsterdam)

Discography
Pentimento (2012)
The Story Of Our Lives (2011)
Sting Like Bees and Sing
(2009)
Divine (2008)
Pomegranate (2007)
Gravity (2007)
Stars Go Down... When We Were Future Stars (2007)
Drop-Dead (2006)
This is the Moment (2003)  
Distortion Is Our Friend (2003)
Gravity Show (Fabulous Like You)
(2001)
I Am a Stranger in This Place
(2000)
Faith & Devotions of a Satellite Heart (2000)
Demonstrates Elastic and Plastic (1998)
Violet Burning (1996)
Lillian Gish ? EP
(1995)
You Wouldn't Understand Anyways ? EP
(1995)
Strength
(1992)
Chosen (1990)




 

Release Date: (June 24, 2000)
Label: Independant
Producer:


December Hotel
Overall Rating:  +++

(Diane and Edward the Giant)

Album Review

I just recently picked this one up at a Violet Burning show. Once I picked it up and
saw that it had some demo versions of songs off of my favorite release the S/T disc.
I was excited to hear some more songs from that era. So in my head I already had an idea
of what it all was going to sound like. To some extent I was right.

First off let me give you some history of where the songs all came from. Distortion is
our Friend
contains songs from the Lillian Gish – EP (1995) and You Wouldn't Understand
Anyways – EP (1995)
Those Ep 's were demo's for the self titled release. The rest of the songs
that made it on to this one were left over from that session.

This album is chalk full of big guitars. The opening track "Dance of the Whooping Llamas"
a left over from the S/T sessions is a perfect example of that. It has a nice rawness to it.
The main guitar riff jumps out at you through out the song is really cool. You can tell right
away that this song was written during the S/T era. "Crush" is the next song. It's similar
to the regular version, but their are some quite noticeable differences between the two. This
version starts out with a rolling bass line, and doesn't have the trippy guitars in the intro
playing in the back ground. It's also missing the same stellar guitar solo. And it's almost two
minutes shorter. But it's still a nice version of the song. They do a nice take on Neil Young's
"Cinnamon Girl" they beef it up with some thick guitar. It was a valiant effort but not as good
as Neil Young's. The version of "The Sun and the Sky" is over a minute longer and has some
quite noticeably different arrangements. I can't decide which version I like better.

My favorite track on the whole disc is "Diane and Edward the Giant" it's a song from the
Lillian Gish Ep
. The guitars are really rocking on this song. Michael really lets us have it with
his constant screaming through out. It's an emotional song about a lost love, well that's my
interpretation. He sings "I'm lost without you, lost without you" towards the end of song. It
plays off of the guitars really well. "Hovercraft" is the one song I'm not to fond of. It's
really a pretty decent song. But for some odd reason it kind of bugs me. Maybe it's because I
feel like it's a lazy song. Like they didn't put as much effort into writing it as they did with
the others. One of the very last tracks is an acoustic version of "Goldmine" recorded at 3 a.m.
in Los Angeles during S/T sessions. It's a very beautiful take on the original version. Easily
one of the highlights.

This rare disc is just like it's brother the S/T release. It's also full of emotion and personal
reflection. If you are a big fan of the S/T and always wished they would have released
more albums like that one. Then you need to go to www.violetburning.com and purchase it. It's
not nearly as good but it's definitely has some worth while songs on it. If you haven't heard
either, I suggest you start with the S/T, also known to some as Lipstick and Dynamite Wonder.

~ Anthony P. Hanna

 

 

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