I've been talking about doing this list for years and finally I'm
making it happen. I'm making it happen. This list is comprised
of albums that for one reason or another I have grown to love
over the years. Some of them date all the way back before I
was born. I was a child of the 80's. So most of the 80's entries
are kind of nostalgic.

Many of these albums I dare to consider some of the best
ever written. I hope you enjoy the list and maybe even
feel drawn to check out a few that you are unfamiliar with.

 

 40. Led Zeppelin- Physical Graffiti
 
(Dreamin')

Of late, there has been a lot of attention drawn to their sixth album (and only studio effort that was a double-album), 1975's Physical Graffiti. While most fans will point to "Stairway To Heaven" as being the most influential Led Zeppelin tune, other critics have looked towards "Kashmir" as being the ultimate song that defined the band. Whatever side of the fence you stand on, there's no denying that Physical Graffifi is a highwater mark for a band who prided themselves on excellence.
album review--->

 

 39. Mat Kearney- City of Black and White

  (Runaway Car)
At first listen, this new album sounds different from the Mat Kearney I grew to know and love from his first album. There is none of the "rapping" or spoken word that made his first album's pieces so unique. Some may prefer this new album over the first one, it just depends on when you first heard his music and enjoyed it. It's different, but in a good way. He is truly a poet, a musician, and an artist. If you are new to Mat's music and stumbled upon his newest single, I highly recommend you purchase both his albums to get a hold of a collection of really great songs.

 

38. MuteMath- S/T                      

(Chaos)

This album is a little different than most that were released this year, because this album was really released twice. It has been a big rollercoaster ride for Mute Math and them putting out their debut full length. They released it earlier this year on tour, selling it at their shows and using their own money to fund that. September 26th was when the record was officially released by Warner Brothers. 
album review--->

 

37. Alice in Chains- Jar Of Flies

  (Nutshell)
One of the atmospherically and melodically varied releases from Alice in Chains, Jar of Flies is less of a hard rock effort than some of their other releases, but still shines as an excellent example of Jerry Cantrell's songwriting abilities and Layne Staley's haunting vocals. The album did produce two songs that got decent radio play, in "I Stay Away" and "No Excuses," but it's the lesser known tracks that really make the album, from the interweaving of darker, almost sinister passages with more soaring tones on "Whale and Wasp," to the outstanding vocal harmonies and use of harmonica on "Don't Follow." As always, Alice in Chains do something unique and interesting, which is what really made this band great to listen to. 
  

 36. Jimmy Eat World- Clarity

  (Lucky Denver Mint)
Every once in a while, you come across an album that not only impresses you, but just really makes you feel grateful to be alive. Something that just makes the world that much better of a place, knowing that something like this exists. For me, "Clarity" is one of these albums. I enjoy every incarnation of Jimmy Eat World, from the raw, indie punk of the early days, to the more radio-friendly sound they've adopted more recently, but this album is where everything just really came together. "Clarity" is huge, daring, multi-layered, unpredictable, and just mesmerizingly beautiful.

 

 35. Nada Surf- Weight Is A Gift

  (Always Love)
Before I write anything, you must understand how much I love Nada Surf's previous album, "Let Go". I would certainly put it in my Top 20 favorite albums of all-time. Whenever you have a situation like that, you cross your fingers that their next album can be nearly as good. Well, I would go so far to say it's better, but in a different way. 
album review--->

 

34. Duran Duran- Rio

  (Rio)
To this day, the mere mention of Duran Duran in the rock press brings with it much disdain, if not outright dismissal. Classic rock purists sometimes believe their word is gospel, so you won t find many who dare to stray from the guitar-based genre they hold in such high regard -- that is, anything with synthesizers is evil. You'd be very hard pressed to find any Duran Duran album in an American list of top rock albums 
album review--->

 

 33. Toad The Wet Sprocket- Fear

  (Nightingale Song)
I think Fear is probably the most complex of Toad's albums, and with the most variety of moods. If Toad is indeed the thinking man's band, then this album is a quintessential piece of work. You've got beauty in songs like Walk on the Ocean. A rather paradoxical simplistic diversity in "Butterflies," a unique and unusual musical setup coupled with the contrastingly noncomplex central concept of the song. The childish wonder in "Is it For Me", raw anger in "Hold Her Down", human yearning in "All I want", wit in "Something to Say", wistful appreciation in "I Will Not Take These Things For Granted"...Glen Phillips' lyrics are characteristically haunting, and musically speaking, the depth of the band is incredible.

 

32. Doves- Some Cities

  (Black & White Town)
If "The Last Broadcast", Doves' last album, provoked the feeling of a band playing from some etherial plane far above the heads of their listeners, this time Doves places the music directly in your face, as if you were watching them perform in some cramped club in the middle of some large city. This music is much more gritty than The Last Broadcast, even moreso than "Lost Souls," and Doves pulls it off, too: but not without a few bumps along the way.

 

 31. Blind Melon- S/T

  (Change)
Strangely, I only rediscovered this album a couple of weeks ago, after it had remained dormant at the bottom of one of my many boxes of CD's. I bought it around it's UK release date after seeing the video for "No Rain" on MTV: like most people, who subsequently heard "Change", I was taken in by the light-hearted, vaguely rocky-folky noises and the lilt of Shannon's voice (which I later discovered to be far weaker in a live setting than in a studio). 
album review---> 


 


 

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